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Flânerie and (Post)Modernity: Links in memory of Anne Friedberg
Slavko Vorkapić‘s original montage sequence “The Furies” (created for the film Crime Without Passion, 1934; music by Ludwig van Beethoven). While Vorkapić had complete creative freedom in writing,...
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>A Cinematic World? On Jean Baudrillard and Film Studies
> Image from Stop-Loss (Kimberly Peirce, 2008). Read Kim Toffoletti and Victoria Grace, ‘Terminal Indifference: The Hollywood War Film Post-September 11′, which treats this and other contemporary...
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>"A fusion of life and dream": In memory of John Orr
> Image from Dogville (Lars von Trier, 2003). This film topped John Orr’s list of favourite films in 2003 (here are his 2004, 2006, 2007 and 2009 lists) What is trauma if not, as in the original...
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>"An incarnation of the modern": In Memory of Miriam Bratu Hansen, 1949-2011
> Last updated: February 14, 2011 From the lecture “ARTISTS AND MODELS (1955): Modernism, Medium-Specificity, and Mayhem” by Miriam Hansen, delivered in May 2009 at the University of Chicago, Film...
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Cambridge Film Studies Videos: Godard, Renoir, Literature and Film, Film and...
Framestill from Scénario du film “Passion”/Script for the film “Passion” (Jean-Luc Godard, 1982). This film is discussed by Libby Saxton in her paper on gesture in Godard’s films Today, Film Studies...
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Voyage to Cinema: Studies of the Work of Theo Angelopoulos
Framegrabs from Ταξίδι στα Κύθηρα/Voyage to Cythera ( Theodoros Angelopoulos, 1984) The world needs cinema now more than ever. [Theo Angelopoulos, cited by Andrew Horton] Realism? Me? I’ve not a damn...
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On Railways and the Movies
“Uncanny Arrival at a Railway Station” by Catherine Grant The Railway Children (Lionel Jeffries, 1970) was a film I ardently watched countless times on television as a child, and, I have to confess, I...
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